clients / featured on
composition
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When placing new music in the context of multi-media, events or branding, it's essential that each specific project receives its own musical identity. In close collaboration with the (creative-) director, producer, client, musician, institution, organizer or commissioner, we will come to a fresh, fitting, musical fingerprint for your project.
orchestration
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Translating the musical ideas in your head, from pure imagination into performance-ready music for conductors and ensembles is a time and labor-intensive job. As a classically trained composer and orchestrator, I will assist in expanding your ideas for the ensemble in question, making sure your music gets to shine as it should in every performance context.
music preparation & copying
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In the film- and TV business it's crucial that your composed music gets onto scoring paper and on the stands of the musicians fast. With years of experience turning MIDI sequences into beautifully engraved, industry-standard music and parts, I will make sure your music is performance-ready for the conductor and musicians.
score production
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In need of an extra set of eyes and ears during your recording sessions, or someone to take the lead with the musicians while you focus on other things? Whether it's assisting during intensive recording sessions, or helping out with MIDI programming and music production, I've got you.
arranging
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Whether it's working with existing songs, or revered masterpieces of the standard classical repertoire, it's essential that the musical translation from a piece, to a different setting of instruments is done smoothly. Like transforming a pop song for band to an orchestral arrangement, or arranging a collection of film music themes into a coherent, unbroken suite.
testimonials
You have no idea how rare someone like you is. You stayed respectful throughout, you take feedback really well, you stayed motivated, you care, and it’s been a genuine honor to have someone as talented as yourself work on my film.
— sofie dujardin, writer/director of "taking care of plants"
We were mixing the film this morning and everyone was enthusiastic about the score, because it worked so well, and fit seamlessly in the mix. It was an honor to get a touch of your passion and talent in our work.
— amber & eowyn, directors of animated film "sereia"
Some people not only have an ear for melody, and sound, but also the talent for creating music that has personality. Choosing from a variety of colors, every time an atmosphere is shaped to match the particulars of the chosen situation.
— rené van delft, writer & philosopher
I kept trying to analyze the piece and there are so many elements to pay attention to. It is a very balanced work that is built up beautifully, with your many orchestral touches. It has a wonderful cinematic quality and it feels like a love story.
— jackie perks, pianist & teacher
The film is amazing, and I even enjoyed the music without the images running alongside it, and that's what I like about great film scores; that you can hear the music independently and it still sounds great!
— asem yousef, film & television composer
Our producer was at the latest film festival screening. A great reception in general, and a few people pointed out the score in particular. I wish the film was a little longer just so there would be space for more music.
— daniel shakespeare, director of "Only in Moonlight"
You deserve all the praise that you get. Thanks in part to you the film has been received as well as it has been. You've given thousands of audience members goosebumps!
— daan blommers, writer/director of "Burgemeestersmoord"
It was a pleasure to listen to your music and exchange ideas, you brought very interesting questions for the film! From what you showed us I can perfectly see your music in animated films, it's very beautiful.
— Patrícia Figueiredo, creative director at Animais Animation Studios
It was great to play everything live today! Once again, it was raining compliments for you. The pieces are very beautiful, thank you so much for your efforts.
— griet wiame, first violinist of Ma'at Quartet
I have listened to your music with great pleasure and, after listening to it so many times, I have totally fallen in love with the soundtrack. The ending is really my favorite scene now, because of your music.
— pim vogels, writer/director of "fatum"
The director played me a piece you composed for his upcoming film based solely on the script. I was very impressed. We will keep you in mind for future productions.
— jochem de vet, writer and film director
The film has been such a success ... and to be honest, the music you wrote for it really did the film a lot of good, and you achieved it in such a short time, which was deemed impossible.
— gerard verdonschot, producer of "burgemeestersmoord"
You're the best musical talent I know, I tell that to everyone, so I am incredibly excited to finally have you on for a bigger project, and we are very lucky to have you.
— draven cold, writer/director of "the house party massacre"
This is it, bravo, sir! You've done a fantastic job, and it's sounding beautiful. I knew you would create something special, and you absolutely have.
— james dudfield, writer/director of "drift"
I would also like to thank you once again for all your fantastic work! The music has really added a tremendous depth and nuance to our story.
— jarno collijs, creative director of animated short "skald's tale"
Thank you so much for all your brilliant work!
— hugh o' conor, director of television program "showkids"
About
Milo Paulus (b. August 14th, 1999) is an award-winning Dutch composer, conductor, orchestrator and score producer specializing in original music for concerts, screen and stage productions. His catalog spans a diverse range of styles and influences for both instrumental and vocal works, as well as countless original soundtracks for films and video-games. His works have been commissioned by various performing groups, festivals and institutions.